2010年雅科夫·切尔尼霍夫国际奖
01 March 2011
 

Iakov Chernikhow
International Prize 2010

前10名入围项目:奇幻挪威(Fantastic Norway)和其他9位决赛选手,附策展人Stefano Boeri的点评

(Beijing, 2001). Founded by Zhang Ke, the office now has three principals: Zhang Ke (1970), Zhang Hong (1967) and Claudia Taborda. In 2009 they were awarded the "China Architecture Media Award, Young Architect Award". Among their recent exhibition participation, "China Design Now" at V&A Museum of London in 2008 and the Shenzhen Biennale in 2009.

CREDO
1. The spirit of local rather than the form of local architecture. 
2. Respect local culture with equal stand point, which means neither looking up, nor looking down to it.
3. The goal is to make contemporary architecture.
4. Localness generated by local materials, local craftsmen, and local construction methods.

Based on a wide range of realized buildings and landscapes, it has emerged as the most critical practice among the youngest generation of Chinese architects and designers. It is engaged in practices of planning, architecture, landscape and product design.

Remaining detached in a time of media frenzy and consistently positioned on the realization of urban Visions and ideas, their built works often take provocative visual results, with buildings and landscapes always rooted in the historic and cultural settings with a degree of intellectual debate.

The young Chinese architects revisit stone-built Tibetan architecture in a contemporary way that generates a system of communal buildings and spaces. The suspicion here is that there may be an element of sophisticated colonisation of local cultures, but this does not detract from one of the Chernikhov's most interesting entries.
(北京,2001年)。由张轲创立,该事务所现在有三个主管:张轲(1970),张弘(1967)和Claudia Toborda。在2009年,他们分别荣获“中国建筑传媒奖青年建筑师奖”。2008年他们在伦敦V&A博物馆参展“当代中国设计展(China Design Now)”和2009年深圳双年展。

理念 
1. 当地的精神,而不是当地建筑形式。
2. 以平等的角度尊重当地文化,既不仰视,也不俯视它。
3. 目标是打造现代建筑。
4. 本地性来自于当地材料,当地工匠,和当地的施工方法。

在已经完工的一系列建筑和景观建筑的基础上,标准营造已经成为中国年轻一代建筑师最批判性的实践之一。他们从事规划、建筑、景观和产品设计,作品始终试图在这个媒体狂热的时代里实现自己对城市的理念和远景。他们的作品经常能达到挑衅性效果,他们的建筑和景观常常植根于当地的历史文化背景,又兼有某种程度的理智辩论。  

这些年轻的中国建筑师以当代的视角重新审视藏式建筑,从而构建了一个个新的公共建筑空间。尽管在他们的项目中存留了些许殖民当地文化的嫌疑,但这并不妨碍它成为切尔尼霍夫国际大奖赛中最有趣的项目之一。
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